"There are rare bands that succeed in materializing a sonic and poetic vision at the right time and at the right location as Disquiet does. Disquiet is a quartet formed and lead by Kurzmann for the 2018 edition of the Konfrontationen festival and featuring vocalist Sofia Jernberg (of Mats Gustafsson’s Fire! Orchestra), drummer Martin Brandlmayr (of Radian) and double bass player Joe Williamson. Disquiet, obviously, refers to the power of art to move us - emotionally and politically, but the title of the band and the album addresses the selfish and unhumanitarian policies of the reactionary leaders in Austria, Hungary and Italy towards the refugee movements to Europe. The location of the performance, in the far East of Austria and close to the Austrian-Hungarian border, and in festivals where there are no boundaries between musicians and the audience and where people from all Europe pilgrimage every year, deepens Disquiet humane vision.

Kurzmann created an unsettling and deeply emotional work that weaves a speech by Belgian Member of the European Parliament, Guy Verhofstadt, reprimanding the European Council President Donald Tusk and Austrian Chancellor Sebastian Kurz for their opportunistic “not in my backyard” policy; an inspired borrowing of ABBA’s pop hit “S.O.S.” and the obscure “Think Small” of the New Zealand rock band Tall Dwarves. These quotes and songs are delivered by Kurzmann’s fragile but touching voice, devoid of pathos, but a voice that frames brilliantly the current, selfish political climate, and later concluded with a cover of Joe McPhee’s sober “Song for Beggars” (“this song won't feed the starving, / nor will conferences of hunger / with a fortune spent on TALKING / nor will it house the homeless, / or quench the thirst of millions / who will die of lack of water, / while the vampires drink THEIR blood…”), which Kurzmann, Jernberg, and Brandlmayr already covered before (Trost Jukebox Series #2, Trost, 2014). The wordless, moaning vocals of Jernberg, the imaginative drumming of Brandlmayr, and the deep-tones of Williamson intensify the disquieting, tense but poetic atmosphere of this 47-minutes piece. Guy Peters, who wrote the liner notes, observed that this fantastic work offers a “receptive attitude” for a much-needed change. “Each worthwhile collaborative endeavor - whether it is political, musical or anything else - starts with a simple but crucial act: listening”. Disquiet may be one of the most important, impressive and rewarding listenings you may experience in 2021." -Eyal Hareuveni, Free Jazz Blog
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